I spent lunch-time yesterday at the Glasgow Art Club attending a really superb concert organized by Westbourne Music. The soloist was the Glaswegian mezzo Beth Taylor, and she was performing a programme of songs by female composers of the nineteenth and twentieth centuries.
There was a lot to like in the programme, including three songs by Clara Schumann (which left me thinking that Brahms had learned a lot from her), five songs by Alma Mahler, plus pieces by Lili and Nadia Boulanger, Ethel Smyth, Hedwige Chrétien, Germaine Tailleferre, and Augusta Holmès. I think my favourites were the pieces by Tailleferre, Holmès, and Nadia Boulanger.
All the music was very strong, but what made the concert stand out for me was Beth’s performance. She throws herself into the music with absolute confidence and communicates it as much by her gestures and expressions as by her amazing voice.




